David Borrington
David Borrington MA RCA
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"In politics, 'cui bono' probes motives, revealing who gains from events, exposing political maneuvers' intent."

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Gulf Stream
  -  The Loss of Marbles   -  Gulf Stream

“PHONETICALLY SPEAKING” To reflect the fast pace of world news, my blog is probably best served as a stream-of-consciousness text. Fast and unadulterated. With this approach, and on first encounter, text might not seem to scan. This is because I am dyslexic. Instead of keeping the proof-readers busy, I would rather let my blog updates of my visual work stand as a record of my experience of dyslexia, which I am keen that you now get to enjoy too. Unlike some news outlets, I hereby excuse myself the need for a ‘corrections’ section! The excitement of a new language is something I’m quite familiar with, and it is with this ‘joie de vivre’ that I am delighted to guide you through my thought and work processes, more phonetically (than fanatically) speaking.

In David’s photographic piece titled ‘Gulf Stream,’ he skillfully captures the tumultuous nature and unpredictability of the pandemic’s impact. The marbles, chosen as symbolic representations of fragility, are set within a visual portrayal of a tempestuous sea of chaos. This serves as a metaphor for the turbulent times brought about by the pandemic.
The swirling patterns and churning waves within the photograph embody the uncertainty and instability that swept through society at the onset of the pandemic. Similar to the infamous Gulf Stream, renowned for its fierce and erratic currents, the pandemic surged with an unrelenting force, catching many off guard and throwing them into disarray.
Amidst this chaotic sea, David depicts the elite as captains of their own ships, skillfully navigating through the storm unscathed. The marbles, symbolic of the masses, struggle to find stability within the tumultuous environment. This stark contrast illustrates the disparities between the privileged elite, who have the means and resources to weather the storm, and the masses left to face the full brunt of the crisis.
David’s powerful photography lays bare the systemic inequalities that were exacerbated by the pandemic. It serves as a sharp critique of a society where the privileged few can navigate crises effortlessly, leaving the vast majority to grapple with the devastating consequences unaided. It calls for a reexamination of our societal structures, advocating for a more equitable world where the impact of crises is shared more fairly among all.