“PHONETICALLY SPEAKING” To reflect the fast pace of world news, my blog is probably best served as a stream-of-consciousness text. Fast and unadulterated. With this approach, and on first encounter, text might not seem to scan. This is because I am dyslexic. Instead of keeping the proof-readers busy, I would rather let my blog updates of my visual work stand as a record of my experience of dyslexia, which I am keen that you now get to enjoy too. Unlike some news outlets, I hereby excuse myself the need for a ‘corrections’ section! The excitement of a new language is something I’m quite familiar with, and it is with this ‘joie de vivre’ that I am delighted to guide you through my thought and work processes, more phonetically (than fanatically) speaking.
Shakespeare’s Legal England
Shakespeare’s Legal England, banner in the series For pity is the virtue of the law, focusing on English legal and political life, draws on ten of Shakespeare’s plays, weaving references into current affairs from the crisis in Syria to the rise of the far right in the UK. For example, the banner begins with a reference to a version of Hamlet that was staged at a refugee camp in Calais earlier this year. David focuses on the famous play-within-a-play scene, showing certain key political figures looking over the performance with ambivalence. The banner then displays similar allusions taking place in different locations such as outside the Royal Courts of Justice and the Houses of Parliament, where the spectacle of theatre, the law and current affairs take place on grander stages.
